Eddie
Owens Martin was deathly sick. His days being
a young hustler in 1930’s New York
were catching up with him. “I was just
coughin’ and heavin’…like I was cleansin’ myself of my past. And durin’ the worst night of all, when I
thought I had died, my spirit seemed to leave my body and I encountered this
vision of a great big man sittin’ there like some kinda god, with arms big
around as watermelons... And he said to
me, ‘If you … follow my spirit, then you can go…,’” he told biographer Tom
Patterson. Visions instructed him to
start a new religion, “Pasaquoyanism”, to change his name to St. EOM. “You’re an artist,” voices said. “I really didn’t ever know what I wanted to
be in life until I began to dabble in the arts and learned to depend on that
inner voice…” Soon paintings of Mayan temples, bizarre landscapes and ancient
civilizations filled his squalid apartment.
His image changed from slick to mystic, a guru without followers. His tribal robes and coiled long, spindly
locks added to his allure as he became a popular fortune teller.
He’d
run away from the family farm outside of tiny Buena Vista, Georgia when he was
just 14 years old. “I threw myself on
the mercy of the world,” he’d said about leaving an abusive father and a
community that labeled him as different.
Then, at age 49, the spirits told him to move back to the now-vacant
family farm and begin building his legacy: the Land of Pasaquan .
“I never had any overall plan. All I knew was that I could see these designs
in my mind… I hadn’t ever built nothin’ before.
I was experimentin.’” Peaking through the woods, townspeople were
astonished and mystified as Eddie created 900 feet of masonry fences emblazoned with weird and
risqué images, psychedelic totems, decorative walkways, sculptures, a dance platform,
murals and fanciful copulas. Hammered tin embellishments turned the modest
farmhouse into a temple. He toiled relentlessly,
mostly alone, for 30 years. He funded
the construction with income from fortune telling. One of his regular customers
was Plains resident “Miss Lillian” Carter.
Michael
McFalls led Columbus
State University ’s
collaboration during the restoration work and will direct the project as the
college takes responsibility for its future preservation. The vision is to “to give visitors a unique insight into the intuitive artistic process… through diverse programming, interdisciplinary workshops, lectures, seminars, retreats, and performances, which challenge established ideas about the arts. We envision Pasaquan becoming a culturally enriching leader…while assisting in economic development.”
Sidebar
Kohler Foundation: http://www.kohlerfoundation.org/
Pasaquan tour information and links to digital images: https://art.columbusstate.edu/pasaquan.php
Where to stay: http://www.sign-of-the-dove.com/ a small B&B in Buena Vista
In Americus, 25 miles away: http://www.windsor-americus.com/
Richland Rum: www.richlandrum.com
Chocolate South: www.chocolatesouth.com